Tech Talk: Costumes
by Karen Lund
     

Title Index
Topic Index
Scripture Index

Article Listing:

Missing the Magic

Just Getting Warmed Up

The Trump Cards

The Touchy Stuff:
How to Handle Edgy Scenes

The Unspoken Contract: How to Keep Your Audience Satisfied

Method Acting and the Church Drama Team

Incorporating Drama into Your Church’s Ministry Program

Don' Call Us...We'll Call You!

You're Fired!

Cross Where and
Don't Break What?

Let Me Check...
I'm Only the Assistant Director

Auditions Tonight!

Seven Deadly Sins of Directing

Finding Your Character from the Inside Out

Invitation to Intimacy

Your Kids Are Doing What?

Why Some Christmas Dramas are Doomed for Disaster

Networking

A Stones Throw Away

How to Take it From the Page to the Stage

What to do When the Unexpected Happens on Stage

Do You Know Where You're Coming From?

What Your Kids Get From Drama Ministry

What to do When Your Drama Team Doesn't Care Anymore!

What Else Can I Do?

Clearly Your Intention…

Moving Past the Red

Time for a Creative Boost

What Makes Dialogue Good?

Alone on Stage

The Physical Actor

10 Things to do Before Your Performance

Background Acting

Extraordinary Lessons from Peculiar People

The Drama Retreat

Tech Talk: Costumes
Jeni Fabian's costume book recommendations

Telling A Great Tale

Lights, Camera, Worship?

Drama Ministry for the Masses

Don't Panic

Tech Booth

 

We all know the stereotype of Christian drama-bathrobes and sandals. We're embarrassed by the stereotype's accuracy, but budget and time constraints often make realistic biblical costuming feel like a luxury. I recently spent some time with professional costume designer Jeni Fabian of Taproot Theater Company in Seattle, and I was delighted to discover that by following a few easy guidelines affordable, authentic costumes can be achieved.

Costumes are an important part of the overall storytelling of a drama: With the proper attire, peasants can be distinguished from royalty, soldiers from civilians. Costume research is not as hard to do as you may think. There is an entire section of the library devoted to costumes -through-the-ages books. To design a costume that reveals time and place, focus on silhouette, color and fabric.

Silhouette If you looked at a person from your sketch or pageant in silhouette, would you be able to tell that the tunic-wearing character was from Rome or Greece or Egypt? Creating an accurate silhouette is the most important (and the cheapest) way to design a believable costume. Egyptians had long, slim lines, sleeveless and T-shaped garments. Romans and Greeks wore draped togas. Romans had a lot of excess fabric slung over their arms, whereas Greeks generally wore tunics pinned at the shoulder with brooches and then belted at the waist.

Color Egyptians wore a lot of white and gold. Romans and Greeks were more apt to use dye, but there was a difference between the colors worn by royalty and those worn by commoners. Pay special attention to what kind of fabric patterns existed and stay true to that-paisley would not have been seen on the streets of Bethlehem at the time of Christ's birth.

Fabric Choice Terry cloth was not yet invented in biblical times, so don't even think about it! Wool, cotton, silk and linen were the only fabrics used during this time. Egyptians used mostly linen; Greeks and Romans used very thin wool that looked similar to cotton. Audience members rarely get close enough to touch a costume, so choose materials that, from a distance, will pass for the more expensive version.

Finishing Touches Most women can tell you that the wrong accessories can ruin an entire outfit. By accessorizing, you turn a character's costume into an outfit a real person wore daily.

Roman and Greek women mostly wore earrings and some thin bracelets. Sandals were common, but be sure to look at your research to find different types of sandals. Egyptians are better known for chunkier gold jewelry: large bracelets worn on the upper or lower arms, headdresses and large earrings.
Think about your characters to create a full look: Would Mary Magdalene have worn jewelry? If so, what kind? What kind of accessories and colors distinguish Mary, Jesus' mother, from her older cousin Elizabeth? Accessorizing is a low-budget way to bring reality to a costume.

In everyday life, we make assessments about people based on what they wear. Audiences carry this same perception, which is why costumes transmit powerful information very quickly. By doing a little research and adding a few accessories, you can create authentic and low-budget costumes that will bring an audience easily into the world of your drama. Check online at www.DramaMinistry.com to learn about costume designer Jeni Fabian's favorite costume books.

 
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