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Title Index
Topic Index
Scripture Index

Article Listing:

Missing the Magic

Just Getting Warmed Up

The Trump Cards

The Touchy Stuff:
How to Handle Edgy Scenes

The Unspoken Contract: How to Keep Your Audience Satisfied

Method Acting and the Church Drama Team

Incorporating Drama into Your Church’s Ministry Program

Don' Call Us...We'll Call You!

You're Fired!

Cross Where and
Don't Break What?

Let Me Check...
I'm Only the Assistant Director

Auditions Tonight!

Seven Deadly Sins of Directing

Finding Your Character from the Inside Out

Invitation to Intimacy

Your Kids Are Doing What?

Why Some Christmas Dramas are Doomed for Disaster

Networking

A Stones Throw Away

How to Take it From the Page to the Stage

What to do When the Unexpected Happens on Stage

Do You Know Where You're Coming From?

What Your Kids Get From Drama Ministry

What to do When Your Drama Team Doesn't Care Anymore!

What Else Can I Do?

Clearly Your Intention…

Moving Past the Red

Time for a Creative Boost

What Makes Dialogue Good?

Alone on Stage

The Physical Actor

10 Things to do Before Your Performance

Background Acting

Extraordinary Lessons from Peculiar People

The Drama Retreat

Tech Talk: Costumes
Jeni Fabian's costume book recommendations

Telling A Great Tale

Lights, Camera, Worship?

Drama Ministry for the Masses

Don't Panic

Tech Booth

 

 


featured article:

Time for a Creative Boost
by Alice Bass

Summer is the perfect time to prepare for the busy Fall/Winter season by recharging your group’s creativity.

To remind us of ways to keep a kingdom perspective in a hectic ministry, Drama Ministry talked to one of our regular contributors, Alice Bass (you can check out her scripts College Bound and Ideal Match in this issue). When Alice isn’t coordinating her own drama ministry, she is giving creativity workshops and leading people through her book, The Creative Life: A Workbook for Unearthing the Christian Imagination.

DM: What led you to write The Creative Life?

I wanted a book which gave people the tools to dig into God’s Word and experience his creative life in their own creativity. As a drama ministry coordinator, I found that there wasn’t material for me to use in our team meetings.

I could lead our actors through a Bible study or a drama class but there was nothing that combined the two. My hope was to give ministry leaders a manual and a Bible study for why we are creative and how to use our gifts for God’s purpose and glory.

DM: What are some of the ways you re-connect your team with their creativity?

Digging into the scripture is the way to feed your creativity. It is so cool! A lot of the time we think our imagination is a place that is off-limits to ourselves and to God. But he is the author and perfector of our faith, and he authored our creative gifts. Since we are in his image, we are creative too. Only by soaking our brains in the scripture do we get to experience the fullness of our own imaginations.

In each chapter of the book I have an ‘imagine’ exercise where I lead you through a passage of scripture. For drama, I think leading your group through imagining one of the parables would be great. Especially during that very first meeting back from vacation – go through the parable of the talents by having people close their eyes. Read the parable aloud and then go back through it prayerfully and imagine the master, what he’s wearing, the tone of his voice, etc. Then go to the three servants and imagine what it felt like to hold the talents, to bury your one talent, to invest your five talents, etc. That should lead to some great discussion for your drama team about their own talents.

DM: What do you think is the most important thing for drama ministry leaders to work on with their team?

The one rule that my high school drama teacher drilled into my head is that ‘Acting is Re-acting’. It took me a year to ask her what it meant! But once I understood that acting was more than just memorizing my part and that my job was to use my lines as a response to what the other was saying, I never forgot that rule. Listening is the key to acting and really listening is the hardest thing for us to do in real life, much less onstage!

DM: What is your favorite exercise?

I love the listening exercise called ‘Counting to Ten’. It really makes you listen to not only who is talking but to the silence in between. You break up into two groups, with a monitor in each group. Then each group counts to ten, with no order, no one in charge and if two people talk at once, you go back to the number one. The air is so charged with people trying to listen! I love it.

DM: What do you plan to do your first meeting
back from vacation?


That first meeting is essential for setting the tone of the rest of the year. I think I’m going to take my own advice and focus on unifying the team and remembering our purpose by beginning with some Bible study. Then I always try to do exercises that are outside the immediate sketch needs so that we can work on listening or character development without having to think about performing. Then it’s on to rehearsal for the next Sunday sketch.

Alice Bass is the drama coordinator for Northland Church in Longwood, Florida. She is the editor of Jumpstart: A Handbook for Drama Ministry and the author of The Creative Life. Most recently, she performed professionally with Walt Disney World’s Epcot Acting Company. She is a Creative Consultant, training speakers and worship leaders as well as actors and writers. She and her husband, Timothy, live with their son, Henry, in Longwood, Florida.


 
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