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60990 THANKSGIVING
By Scott W. Kirk
GENRE: Drama
TIME: 5 minutes
CAST BREAKDOWN: 1F,2M
THEME: Favoritism; Communication; Family; Thanksgiving
SCRIPTURE: Luke 15:11-32
CHURCH YEAR SEASON: Pentecost; Lent
PURPOSE: To open a discussion on favoritism and learning the importance
of communication
SYNOPSIS:
It's Thanksgiving, and the family's all together to celebrate. But Brian
is out on the deck, sulking. His brother, Jonathan, is getting on his
nerves. This drama takes a realistic look at siblings each of whom
think the other is the "favorite son."
CHARACTERS:
Brian ~ The prodigal's brother
Susan ~ Brian's wife
Jonathan ~ The prodigal
PROPS:
1) A slice of pie on a plate
2) A sweater for Susan (optional)
COSTUMES: Contemporary clothing, appropriate to character
SOUND: Three wireless mikes
LIGHTING: General stage
SETTING: The backyard or deck of Brian and Jonathan's childhood
home
DIRECTORS NOTES:
These brothers are taking the beginning steps toward learning to communicate
with each other. Don't make the sketch end with everything between them
resolved that doesn't happen in real families. They have agreed
to put their differences aside for tonight and to open lines of communication
to discuss issues later. It's important that the audience get that sense
from the actors' mood, body language and tone. If the brothers are all
chummy as they exit, the audience will get the impression that their differences
are all resolved and dismiss the sketch as unrealistic. If, on the other
hand, there is still some palpable awkwardness between the two, the audience
will get the point that differences can be overcome, but it takes time
and effort.
BRIAN ENTERS
and lets out a deep sigh. The noise from a party is heard in the
distance. SFX: PARTY NOISE. After a beat, SUSAN ENTERS.
SUSAN
What are you doing
out here?
BRAIN
I needed a breath
of fresh air.
SUSAN
Your brother just
told the story about when you two threw a firecracker into your dad's
truck and caught the seat on fire.
BRAIN
That was all Jonathan.
I was inside watching TV.
SUSAN
It's really funny
the way he tells it. You two must have been grounded for a month.
BRIAN
I was because it
was my firecracker. As for my brother, as usual, he was given the extra
helping of grace.
SUSAN
(Pause) Why
don't you come inside? Your mom's getting ready to slice the pie.
BRAIN
I lost my appetite.
SUSAN
What's bugging you?
BRAIN
Not a thing.
SUSAN
You want to tell
me or do I have to stand out here in the cold and watch you pout? (Pause)
This isn't fair to your mom. She'll notice you left and start worrying.
BRAIN
I doubt she'll notice
with Jonathan in the room.
SUSAN
Brian, I don't know
what happened between you two but this can't go on. We only see your
family once or twice a year. Whenever the two of you get together, one
of you is always mad at the other. Whatever it is, get over it. (Pause)
Coming?
BRIAN looks
at her without responding and then turns away.
SUSAN
I'm going back in.
SUSAN EXITS.
After a beat, JONATHAN ENTERS, carrying a slice of pie on a plate.
JONATHAN
Hey, big brother.
You're missing the party and mom's pie.
BRIAN
So I've heard.
JONATHAN
Mom sent me out
here with this. (Offers him the plate)
BRAIN
(Answers without
looking) No thanks.
JONATHAN
Okay, what did I
do this time to tick you off?
BRIAN
(Pause) Everybody
was here on time except you. Dad kept looking out the window, too distracted
to even watch the game. Mom was worried that Jonathan's favorite dish
would burn. Heaven help us if Jonathan's baked pineapple got too brown.
Then right on cue, you breeze in, two hours late and all is forgiven.
You haven't changed a bit.
JONATHAN
I forgot how bad
traffic would be.
BRAIN
No, what you forgot,
as usual, is other people's feelings. Everything revolves around you.
It always has. And I'm sick and tired of it. I wish you would grow up.
JOHATHAN
(Pause) Why
should I? There's only enough room in the world for one favorite son.
My big brother Brian
with the perfect grades, the perfect career,
the perfect 401k plan
BRAIN
Your point?
JONATHAN
You never make mistakes,
do you? 'Cause you're the "perfect son." I blow it every day
while you you never trip.
BRIAN
If you only knew.
JONATHAN
Whenever I call
mom and dad, I can expect to spend the first 20 minutes hearing about
my big brother's latest accomplishment. You, they've always been proud
of. Me, well, I'm expected to goof up. You, they love and respect. Me,
they forgive and forgive and
BRIAN
And serve baked
pineapple. (Half joking) Mom never made that for me.
JONATHAN
(Soto voce)
Nah
for you she makes special pie. She says the holidays would
not be complete without Brian's special pie. (Hands him the pie plate)
BRAIN
(Laughs)
Cranberry apple. I thought she forgot.
JONATHAN
You kidding? You're
her number-one son.
BRIAN
(Pause) Sorry
for being a jerk.
JONATHAN
No, man, I'm sorry.
Listen, next time tell me how you feel instead of running off. I'm a
big guy. I can take it. We'll get it out in the open, deal with it and
then move on. I don't want to spend whatever years we have left carrying
around old grudges. Life's too short. And I need my big brother to be
my friend. Deal?
BRIAN
It's not that easy,
Jonathan. (Pause) Look, I will make you this deal: Tonight, we
eat pie. And we'll work on the other stuff.
JONATHAN
Deal. All this manly
talk is making me hungry. Come on, I'll fix you a big plate of turkey
and gravy.
BRIAN
(They start to
EXIT) Any stuffing left?
JONATHAN
I can't believe
how tall your daughter is. What grade is she in now?
BRIAN
You ate all the
stuffing didn't you?
JONATHAN
Mom said I could
because I'm special and she loves me the most.
BRIAN
She didn't let you
lick the spoon did she?
JONATHAN
Oh yeah.
They
exit.
Lights out.
Performance
and photocopying rights:
Your purchase of this script grants your church unlimited use of these
sketches within your programs and worship services. You may photocopy
the script for each cast member in your church. Scripts and performance
rights are not transferable between churches and cannot be resold. You
may not use the sketches for any commercial or fundraising purpose, and
usage rights do not extend to video, radio, television or film.
Copyright
© 2001 by
Scott W. Kirk
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