|
61040
BOX OF STONES
by Rick
Clark

GENRE:
Drama
TIME: 8 minutes
CAST BREAKDOWN: 2F, 1M, 6 Friends, 2 Roman Guards
THEME: Redemption; Grace
CHURCH YEAR SEASON: Easter
SUGGESTED USE: Worship Service
CHARACTERS:
1 female voice
1 female-main character
6 friends
1 Therapist
Jesus
2 Roman guards
SYNOPSIS:
A young woman tries to find relief of her life's burdens by visiting
a therapist and her friends but comes to realize that it is only through
Christ that she can find true peace.
PROPS: Stones, boxes for stones, desk, cross
COSTUMES: Period dress for Jesus and soldiers
SCRIPTURE: Matthew 11:28
SOUND: Offstage mic for "voice"
LIGHTING: General, except for sheet at the end of the drama
SETTING: Church sanctuary
Soft
music lead-in. The main character enters to center stage, struggling
to carry a heavy box of stones. The main character pantomimes
the words of the voice. The music fades and the voice begins speaking.
VOICE:
I'm not exactly sure where it came from
this box of stones. It
seems like I've been carrying it around all of my life. It didn't
used to be this heavy
it's sort of strange, but the older I get
the
heavier it becomes. And as each day goes by, more and more stones
accumulate in the box.
Main
character moves to stage left and sets the box of stones on the
floor. The main character kneels beside the box.
VOICE:
I can barely remember finding the first stone. I think I was around
four years old. I had lied to my parents about eating all the chocolate
chip cookies
it was no big deal
but when the incident was
over, I noticed this box with a single stone inside. I pulled the
stone out of the box (Reaches in the box as if searching for the stone)
let's
see
it's in here somewhere (Looks at different stones, not bringing
them out of the box.) Yeah
here it is
the first stone.
I pulled it out of the box
it was filthy. And inscribed on the
stone
the word "liar." I tossed the stone back into
the box. (Puts stone back inside the box) No big deal
after
all, it was just a small lie. But now I've accumulated so many of
these stones. (Reaches in the box, pulls out a stone and reads
the inscription) This one
"Disobedient to Parents"
so
what? All they ever expect is perfection. (Sets stone beside the
box and pulls out another stone) "Cussing"
It's
really tough to keep from letting a foul word slip out every now and
then. (Sets stone beside box and begins pulling stones faster and
faster while reading each inscription then setting each stone beside
the box) "Cheating on a Math Exam"
"Drunkenness"
"Sex Before Marriage"
"Cheating again"
"BIG LIE"
"Hatred"
"Gossip"
"Complaining"
"Greed"
(Main character
hangs head in desperation then starts to put the stones back in the
box.)
Before I knew it, I was carrying around this heavy box of stones.
Each stone a reminder of the filth in my life
each pound
the
heaviness of sin in my life.
I'm afraid to talk to my folks about all the stones. I know they would
be really disappointed.
I tried talking to my friends. (Two friends enter carrying their
own boxes of stones and act out the next line.) Most of them would
take a stone out of the box
laugh as they read the inscription
shrug
their shoulders as if to say, "What are you worried about?"
and then toss the stone back inside the box. (Two friends exit
and three more friends enter carrying their boxes of stones.)
A few friends were so shocked by what they read on the stones that
they immediately put them back in the box with a look of disgust and
walked off.
(Three friends exit as one friend enters carrying his box of stones.)
One of my close friends even helped me carry the box of stones around
but
over time, the heaviness of the box wore him down and he had to let
go. (Friend falls under the weight of two boxes) I wasn't surprised
because he was carrying his own box of stones. It was nice of him
to help
but it was just too much weight to bear.
Some suggested I try talking to a therapist. (Therapist enters
and sits down at a desk. The therapist has her own box of stones.
The main character goes and sits down with the therapist.) That
was okay for a while
I would go into her office and empty the
box of stones onto her desk. We would talk about the stones
and
believe me, that wasn't easy. She even analyzed the stones and concluded
that I was just a victim of circumstances
a product of my environment.
Sure
I felt better for talking with her
but every time our
session ended, I would pack the stones back into the box and drag
them out of the office. (Main character drags the box to center
stage as therapist exits. Main character sits down beside box
almost
exhausted.)
I wish someone could help me. I wish I could lighten the load.
It's so heavy and the weight is too much to bear. I feel so helpless.
Soft
worship music fades into the background as the next scene unfolds.
There are no words spoken. Simply act this scene out.
Jesus enters carrying a cross. He has a crown of thorns on
his head. His clothes are tattered with bloodstains on the back
from the whipping. Two Roman guards are following him. The guards
are carrying a box of stones. He staggers to the right side of
the stage and the guards place the cross in the stand so that
it is upright. The guards stand at either side of the cross.
Jesus walks over to the girl with the box of stones and helps
her to her feet. He takes her box of stones and carries them to
the cross. He dumps the box of stones at the foot of the cross.
The girl backs away and kneels down, facing the cross.
One of the guards puts Jesus against the cross. One guard picks
up one of the stones, raises one of Jesus' arms to the cross and
strikes the palm of his hand as if driving a nail into his hand.
Jesus screams in pain. The guard takes the other arm of Jesus
and does the same thing. Jesus screams in pain once again. The
other guard picks up a different stone and nails the feet of Jesus
to the cross.
The guards stand to the side of the cross and Jesus cries out
in a loud voice. "Father, forgive them for they know not
what they do." The main character begins weeping. Jesus then
says, "It is finished," and bows his head as if dying.
The guards exit one side of the stage. The girl exits the other.
Two men enter and take Jesus off of the cross. He is draped over
the shoulder of one of the men and taken to the tomb. The tomb
is a white sheet or drape that is dimly backlit. This allows the
shadows to be seen. The men enter the tomb and lay Jesus down
as if to bury him in the tomb. When the men exit, the backlighting
fades out. Once the light fades, Jesus changes into a white garment.
Once all is dark, play the song "Arise My Love" by NewSong.
As it plays, the main character enters the stage and approaches
the empty cross. She kneels for the first verse and chorus in
front of the cross. She touches the cross where Jesus' hands and
feet were nailed
she holds on tightly to the cross as the
song continues to play. When the song comes to the part where
the earth begins to tremble, the main character steps back from
the cross in shock because she realizes something big is happening.
As the chorus begins to swell, the backlighting in the tomb shines
full. Jesus sits up slowly and then stands up with his arms held
open. Jesus exits the tomb and walks over to the main character,
embraces her until the song ends and then they exit together.
Lights out.
DIRECTING
The Box of Stones
The Box of Stones
offers a wonderful opportunity to explore a presentation type of acting
not as common in modern drama today.
Most theatre is
realistically based, or what some might call, "kitchen sink drama."
This type of production became popular in the 1930s when the Group Theatre
adopted the "real life placed on stage" styles of acting generated
by the Moscow Art Theatre. Oftentimes modern audiences are unused to
heightened theatrical spectacles, especially being as immersed in film
and television as the modern public is today. However, this is why a
presentational, or more theatrical, piece like this one can be so effective
and moving if performed with real conviction. The most important element
of directing this piece is to remind your actors that if they believe
in the reality of what they're doing on stage, so will their audience.
It is simply a fact that an audience will allow itself to be swept into
a theatrical moment if it sincerely believes that the people on stage
have "become" their characters. Be prepared to challenge your
actors to make big physical and emotional acting choices; the script
calls for heightened drama and an audience will be captivated if actors
really commit to what they are doing.
| ACTING
EXERCISE:
Keeping It Real |
| Have all the actors playing characters with a box
of stones sit in a circle with their stones. Have the actors pick
up a stone and think of an area where they have sinned in their
lives. Actors can then physically write the words on the stones
with a marker, or for privacy sake, remember the words in their
minds. Have the actor playing Jesus stand as if he were hanging
on the cross and have the actors hold the stones in their hands
while they picture their sins. Then have them pick up a second stone
and picture another sin, and so on. After this has gone on for about
five to ten minutes, have the actors lay the stones at Jesus' feet
while the actor playing Jesus pretends to die. After a long moment,
that same actor should gather the stones and take them with him |
| behind a curtain or into a separate room. After another long moment,
have the actor return and embrace all of the actors who no longer
have their stones. This exercise is called "Keeping It Real"
because oftentimes with a heightened theatrical piece actors will
focus on their external movements without exploring the deeper |
 |
| emotions of a scene. This acting out of the plot of
the piece will help lay the groundwork that will provide an emotional
honesty to the final performance. |
|
He
himself bore our sins in his body on the tree, so that we might
die to sins and live for righteousness; by his wounds you have
been healed." 1 Peter 2:24 NIV
thoughts
from the PASTOR
|
The "Voice" in this sketch represents all of us at various
stages in our relationship with Christ. I thought it most interesting
that the first stone was placed in his box at age four as it illustrates
the fundamental truth of original sin. We begin accumulating our
stones very early in life as a result of our sinful nature. We then
move through life and the box gets crowded with the stones, as our
sins seem to overtake us. At a certain point we recognize |
 |
|
that the
box is heavy, that our parents cannot remove the stones, that
our peers cannot take any of our stones, our friends cannot help
carry the box, the therapist (as well-meaning and insightful as
he or she is) cannot vanquish the stones, so in the end we are
left alone with our stones. The only way to remove the stones
is to bring them to the foot of the cross where, one by one, Jesus
removes them until our box is empty.
As we move through life we accumulate the debris of sin. We rationalize
or attempt to justify our actions by adding another layer of rock.
We bury ourselves under guilt and accusations and have difficulty
in our relationships with one another and God. Sin has the ability
to weigh us down, to weave depression around us and to leave us
alone, separated from the one person who can lift us up out of
our forsakennessChrist.
Christ crosses the great divide between sin and a holy God and
offers us a precious giftforgiveness. It takes years to
build up the debris, but only a second to be free. We have in
Christ a person who can remove the sin, carry the sins and vanquish
the sins. We do not have to be weighed down and in bondage by
an overcrowded box of sins but have a freedom that is found in
Christ Jesus alone. Today the gift of salvation is often overlooked
because it seems too easy. Can it really be that great if it is
free? Shouldn't it cost something? Are we getting something for
nothing? Noit cost Christ everything. He died so that our
box can be empty.
|
| Study/Discussion
Questions:
1. How is
your box? Is it full or empty?
2. Do you identify with the voice, the therapist,
parents or friends? Why?
3. What is the significance of the free gift of salvation
for you?
4. Why do you think it is important that salvation is a
dynamic reality and that we are saved at the foot of
the cross but that we also continue to be saved
daily? What impact does this truth have on your
lifestyle?
|
 |
| |
|
MUSICAL
LINKS
Performance Songs
"Arise My Love"
(Resurrection)
As performed by Newsong on
The Very Best of Newsong,Benson/BMG
Musical Style: Stirring ballad
"Redeemer"
(Worship, Redemption)
As performed by Nicole C. Mullen on her self-entitled recording, Sony
Musical Style: Ballad
"Alabaster Box"
(Worship)
As performed by CeCe Winans on Alabaster Box, Sparrow/EMD
Musical Style: Ballad
"When Jesus Lifts the Load"
(Jesus Bears Our Burdens)
As performed by the Christ Church Choir on All Praise, Brentwood
Benson
Musical Style: Southern Gospel
Choruses
"Open the Eyes of My Heart"
P. Baloche
Integrity's! Hosanna! Music
Musical Style: Medium
"Trading My Sorrows"
D. Evans
Integrity's! Hosanna! Music
Musical Style: Medium to fast
"Open My Eyes, Lord"
(Life in Christ)
R. Cull
Musical Style: Slow
Hymns
"The Old
Rugged Cross"
(Jesus Our Savior)
G. Bennard
Musical Style: Slow
"At the Cross"
(Jesus Our Savior)
I. Watts; R. Hudson
Musical Style: Slow to medium
"Calvary Covers It All"
(His Cross)
Mrs. W. Taylor
Musical Style: Moderate
"When I Survey"
I. Watts
www.worshiptoday.com
Musical Style: Moderate
Performance and photocopying rights:
Your purchase of this script grants your church unlimited use of these
sketches within your programs and worship services. You may photocopy
the script for each cast member in your church. Scripts and performance
rights are not transferable between churches and cannot be resold. You
may not use the sketches for any commercial or fundraising purpose,
and usage rights do not extend to video, radio, television or film.
Copyright ©
2003 by Rick Clark
| |
|
|